Very much an iconic, cross-cultural address at the foot of Montmartre, this hybrid cabaret-club has played host to cabaret troupe Madame Arthur since 1946…

Phillips shares why he chose her for the role, singing on set — and using the film to pose the question: “What is entertainment?”

Powell and Arjona spoke with AP entertainment journalist Ryan Pearson about how they connected off-screen, Linklater’s thorough preparation — and the high-wire cell phone scene that had audiences at festivals applauding mid-screening. “Hit Man” is now in theaters and hits Netflix June 7.

Various political regimes have sought to control or ban dancing or specific types of dancing, sometimes because of disapproval of the music or clothes associated with it. Nationalism, authoritarianism and racism have played a part in banning dances or dancing. For example, during the Nazi regime, American dances such as swing, regarded as "completely un-German", had "become a public offense and needed to be banned".[133] Similarly, in Shanghai, China, in the 1930s, "dancing and nightclubs had come to symbolise the excess that plagued Chinese society" and officials wondered if "other forms of entertainment such as brothels" should also be banned.

His comments come after a number of former contestants made claims about their treatment on the show.

The evolution of an activity into a sport and then an entertainment is also affected by the local climate and conditions. For example, the modern sport of surfing is associated with Hawaii and that of snow skiing probably evolved in Scandinavia.

However, as cultures become more sophisticated, national nuances appear in the style and references so that what is amusing in one culture may be unintelligible in another.[91]

Changes to what is regarded as entertainment can occur in response to cultural or historical shifts. Hunting wild animals, for example, was introduced into the Roman Empire from Carthage and became a popular public entertainment and spectacle, supporting an international trade in wild animals.[21]

The skill of managing, organising and preparing the stage for a performance is known as stagecraft. The audience's experience of the entertainment is affected by their expectations, the stagecraft, the type of stage, and the type and standard of seating provided. Theatrical entertainment – stages, staging and stagecraft

The process has been accelerated in modern times by an entertainment industry that records and sells entertainment products. Entertainment evolves and can be adapted to suit any 九游娱乐投注网 scale, ranging from an individual who chooses private entertainment from a now enormous array of pre-recorded products, to a banquet adapted for two, to any size or type of party with appropriate music and dance, to performances intended for thousands, and even for a global audience.

Psychologists say the function of media entertainment is "the attainment of gratification".[6] No other results or measurable benefits are usually expected from it (except perhaps the final score in a sporting entertainment). This is in contrast to education (which is designed with the purpose of developing understanding or helping people to learn) and marketing (which aims to encourage people to purchase commercial products).

The actress reflects on being told to sit up straighter on the set of a film to hide her belly rolls.

For example, composers Rimsky-Korsakov, Ravel and Szymanowski have each been inspired by the Scheherazade story and turned it into an orchestral work; director Pasolini made a film adaptation; and there is an innovative video game based on the tale. Stories may be told wordlessly, in music, dance or puppetry for example, such as in the Javanese tradition of wayang, in which the performance is accompanied by a gamelan orchestra or the similarly traditional Punch and Judy show.

Video games are played using a controller to create results on a screen. They can also be played em linha with participants joining in remotely.